All the Light We Cannot SeeLarge Print - 2014
From Library Staff
Set during WWII and told from the perspectives of a young French girl and German soldier, demand for this 2015 Pulitzer Prize for Fiction winner carried over in the new year. All the Light We Cannot See was borrowed 1,898 times in 2016 from the BPL.
From the critics
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Time is a slippery thing: lose hold of it once, and its string might sail out of your hands forever.
But it is not bravery; I have no choice. I wake up and live my life. Don't you do the same?
The ending thought:
And is it so hard to believe that souls might also travel those paths? That her father and Etienne and Madame Manec and the German boy named Werner Pfennig might harry the sky in flocks, like egrets, like terns, like starlings? That great shuttles of souls might fly about, faded but audible if you listen closely enough? They flow above the chimneys, ride the sidewalks, slip through your jacket and shirt and breastbone and lungs, and pass out through the other side, the air a library and the record of every life lived, every sentence spoken, every word transmitted still reverberating within it. Every hour, she thinks, someone for whom the war was memory falls out of the world. We rise again in the grass. In the flowers. In songs.
At her feet, the snails go about their work: chewing, scavenging, sleeping. Their mouths, Etienne has taught her, contain something like thirty teeth per row, eighty rows of teeth, two and a half thousand teeth per snail, grazing, scratching, rasping.
Etienne knew artillerymen who could peer through field glasses and discern their shells’ damage by the colors thrown skyward. Gray was stone. Brown was soil. Pink was flesh.
All your life you wait, and then it finally comes, and are you ready?
To men like that, time was a surfeit, a barrel they watched slowly drain. When really, he thinks, it’s a glowing puddle you carry in your hands; you should spend all your energy protecting it. Fighting for it. Working so hard not to spill one single drop.
“Mutti, what goes around the world but stays in a corner?”
“I don’t know, Max.”
“A postage stamp.
“Is it right,” Jutta says, “to do something only because everyone else is doing it?”
“Did you know,” says Marie-Laure, “that the chance of being hit by lightning is one in one million? Dr. Geffard taught me that.” “In one year or in one lifetime?” “I’m not sure.” “You should have asked.”
“Your problem, Werner,” says Frederick, “is that you still believe you own your life.”
Madame Ruelle says, “So the Gautier girl wants to get married. The family has to melt all its jewelry to get the gold for the wedding ring. The gold gets taxed thirty percent by occupation authorities. Then the jeweler’s work is taxed another thirty percent. By the time they’ve paid him, there’s no ring left!”
“But minds are not to be trusted. Minds are always drifting toward ambiguity, toward questions, when what you really need is certainty. Purpose. Clarity. Do not trust your minds.”
...It’s not a person you wish to fight, Madame, it’s a system. How do you fight a system?” “You try.”
“Can deaf people hear their heartbeat, Frau Elena?”
“Why doesn’t glue stick to the inside of the bottle, Frau Elena?”
...plants eat light, in much the way we eat food.
What do we call visible light? We call it color. But the electromagnetic spectrum runs to zero in one direction and infinity in the other, so really, children, mathematically, all of light is invisible.
Open your eyes, concludes the man, and see what you can with them before they close forever,...
There are ninety-six thousand kilometers of blood vessels in the human body, children! Almost enough to wind around the earth two and a half times . . .
Seems the entire book has been quoted in goodreads, but may be exceptions:
The hotel’s fourth floor, where garden rooms with French balconies open directly onto the ramparts, has become home to an aging high-velocity anti-air gun called an 88 that can fire twenty-one-and-a-half-pound shells nine miles.
Saint-Malo --- Up and down the lanes, the last unevacuated townspeople wake, groan, sigh. Spinsters, prostitutes, men over sixty. Procrastinators, collaborators, disbelievers, drunks. Nuns of every order. The poor. The stubborn. The blind.
Marie-Laure imagines the electromagnetic waves traveling into and out of Michel’s machine, bending around them, just as Etienne used to describe, except now a thousand times more crisscross the air than when he lived—maybe a million times more. Torrents of text conversations, tides of cell conversations, of television programs, of e-mail, vast networks of fiber and wire interlaced above and beneath the city, passing through buildings, ...
“Your problem, Werner,” says Frederick, “is that you still believe you own your life.”
“Time is a slippery thing: lose hold of it once, and its string might sail out of your hands forever.”
" We all come into existence as a single cell, smaller than a speck of dust. Much smaller. Divide. Multiply. Add and subtract. Matter changes hands, atoms flow in and out, molecules pivot, proteins stitch together, mitochondria send out their oxidative dictates; we begin as a microscopic electrical swarm. The lungs the brain the heart. Forty weeks later, six trillion cells get crushed in the vise of our mother's birth canal and we howl. Then the world starts in on us."-excerpt from "All the Light We Cannot See"
SummaryAdd a Summary
blind jewish girl in WWII, has blue diamond verybody is looking for. Intersects with young German wunderkind.
This novel has an "X" shaped plot. One leg follows the life of orphan Werner Pfennig who hopes to escape the poor, short life of a coal miner in western Germany. His quick-minded understanding of radio technology wins entry to a Nazi youth training school. He spends the Second World War pinpointing and destroying clandestine radio transmitters. The other leg of the plot follows the life of Marie-Laure LeBlanc, a blind girl, who thrives in the Museum of Natural History in Paris where her father works. Forced to flee Paris by the invading Germans, the two narratives cross on a late summer day in 1944.
In 1934, at the age of six, Marie-Laure LeBlanc lost her eyesight. Her father, Daniel LeBlanc, is a locksmith at the Museum of Natural History in Paris. He builds Marie-Laure a scale model of their neighbourhood to help her navigate, and she spends her days with him at the Museum, reading Jules Verne in Braille. But their peaceful life is upset by the German invasion, and they flee the Nazi occupation of Paris, taking refuge in the coastal town of Saint-Malo. Unbeknownst to Marie-Laure, the Museum has entrusted her father with an item from its collection. What Daniel LeBlanc does not know is if it is the real artefact, or one of the three duplicates that was made to serve as a decoy. Meanwhile, in Germany, Werner Pfennig is orphan who lost his mother to illness and his father to the coal mines of Zollverein. He has a passion for radios and math. When war comes, these skills draw him to the attention of the Reich, and he is selected to attend a special military prep school where talented young Germans are indoctrinated into National Socialism.
All the Light We Cannot See is the beautiful story, set in WWII, of how the lives a blind French girl and orphan German soldier move slowly closer to one another and are destined to collide.
What an excellent book! At first, the thought of reading 500+ pages seemed daunting! But, Anthony Doerr constructs a beautiful work (with short chapters) and creates characters that endear themselves to you - I found I had trouble putting the book down. The story takes place during WWII, is told through the eyes of a blind French girl and a teenage Boy whose lives take different courses. Werner Pfennig, an orphan, and his sister survive in a coal-mining complex. It is Werner's exceptional aptitude for making and fixing radios that land him in a prestigious Reich military school. In Paris, Marie-Laure LeBlanc lives with her father, a locksmith employed at the Natural HistoryMuseum. Being blind, Marie-Laure spend her days with her father, learning from the feel of shells and organisms. As the war escalates, Marie and her father must flee Paris and love with an uncle in Saint-Malo, a town along the Atlantic Ocean. The recurring element of a fabulous diamond being pursued by the Nazis and Marie-Laure's father's role in keeping it out the their hands adds suspense. I loved how the lives of the two main characters develop, despite the desolation of the war - and how these two lives interesect, however briefly. A very worthwhile read!
A blind girl trying to survive the German occupation and Allied shelling of Saint Malo on the coast of France, a young, reluctant German soldier tasked with finding radio transmissions, and a German officer searching for a diamond which he believes will cure his illness.....fantastic manipulation of characters and events to bring them and the war to an end.
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